Wednesday, October 20, 2010

The Hold Steady, live



One of the best shows I've been to this year, and what a way to open up what has turned out to be a month full of live music! The Hold Steady played at the Vic on October 1 (I'm three weeks late in writing about it) and what a great show they put on! But what makes a concert so memorable? I think the answer boils down to several criteria, and they all have to align to create a great and memorable live experience.

A. The band has to be into it! The Hold Steady are known for their relentless touring and they have quite clearly grown comfortable with playing to a live audience night after night for months on end. However, their show was anything but routine for concert-goers; their stage presence was great and they looked like they were really having fun up on stage. The above picture was not taken by me, but, I assure you, Craig Finn really does move, wave, and gesture like that the entire time.

B. The right tunes need to be played. Sometimes artists play new material or their personal faves in lieu of what they know fans crave to hear. The Hold Steady did a great job of incorporating songs from a smattering of their collection. They also played the stuff that gets the crowd moving. "Chips Ahoy!"was a personal fave, and the 4-song encore and mini jam was a nice way to close out the show.

C. The right friends. It's always fun to go to shows with a group of friends, but sometimes it can be difficult to keep everyone together--some people want to be close to the stage, others want to hang back, others make frequent drink/bathroom trips. I went with Murph; we stayed in a spot with a good view, and we were quite content to just chill and listen (I think I may have gone to the bathroom once though). An unexpected bonus was the predominance of male attendees...we were two chicks in a sea of boys, yay!

D. Miscellaneous. Factors like the temperature of the venue, the behavior of the crowd, and the ambiance of the hall/arena/room all contribute to overall satisfaction or disappointment. Also, psychological well-being is important; when I get to a show thinking "Poo, these heels hurt," I know it's gonna be a long concert. I'd much rather go in thinking "Woohoo, Hoegaarden on tap!"

Friday, October 8, 2010

She's an Iconic Artist


And her name is Britney Spears. Those titular words were spoken by none other than the luckiest/most recognizable manager in recent pop music history: Larry Rudolph. To quote him fully, "She's an iconic artist...she's like Madonna. She's here to stay." While the first part of that statement is certainly true, I hope with all my heart that Brit is here to stay.

However, when I first read that bit, I found my emotions flickering between excitement and embarrassment. Why am I so sheepish about my love for Britney?...I mean, I'm not really; all of my best friends know that my iTunes contains a nearly complete archive of her musical catalogue. Yet, I am always initially hesitant to admit this.

Perhaps it's the pop-readiness/sell-out factor of her work...perhaps it's her 2007 head shaving incident...perhaps it's her cringe-inducing usage of the English language. But all of these things end up making her more likable, more relatable, and more human.

The woman is clearly business savvy, as she's been THE pop princess since 1998's "Baby One More Time." She has, albeit errantly, steered her career in the most lucrative of directions. Everyone wants to work with her, and we all want to be her too. She's one of the world's biggest celebrities, and she's been that way for over a decade. She's fought personal demons while the world watched, only to come back with another chart-topping record...and another.

It's easy to find celebrities otherworldly: they're incredibly beautiful, really rich, and driven by Texas-sized ambition. But, for some reason, Britney still seems kinda like the girlfriend who always has your back. Perhaps it's her very human missteps that make her seem real...I mean, who hasn't wanted to crack an umbrella through a windshield?...it's just that Britney CAN.

To drive home my point of Ms. Spears' appropriate place atop the pop-cultural mountain, here's what she's workin' with:
  • 100 million album sales world-wide
  • Estimated net worth of $150 million
  • Production by the likes of Bloodshy & Avant, Max Martin, the Neptunes, Moby, and the Outsyders.
  • Total concert performances entertaining more than 10 million spectators
  • Really toned legs

Thursday, October 7, 2010

Alexander, "Truth"

Been waiting weeks for this! Alexander is Alex Ebert a.k.a. Edward Sharpe


Wednesday, October 6, 2010